Art Fairs — January 4, 2019

Art Rotterdam, February 7 – 10, 2019

Laurence Aëgerter, 2310-1710201033 (Saverij), 2017, ultrachrome print, 130 x 80 cm, edition 5 + 2 AP

Main section: solo presentation by Laurence Aëgerter

The gallery will present three recent projects by Laurence Aëgerter (FR, 1972). Her extensive oeuvre comprises of photographic series, artist’s books, multiples, site-specific installations, textile works, and community projects. Aëgerter makes inventive use of archives and existing images from illustrated books to museum collections, in a transcultural and transhistorical practice reflecting on the meaning of the image in relation to identity and collective memory. In recent years she shifted her focus to the fragile edges of the human mind and applied her playful appropriation of images in collaborative projects involving, among others, patients dealing with mental health issues, neurologists, psychiatrists, and psychologists. Three recent projects, Colorfield Phaedra (2014-2018) which was never shown before, Photographic Treatment © (2017-2018) and Compositions catalytiques (2017) deal with the potential of people struggling with illnesses such as dementia or psychosis and appeal to the use of their imagination, their power of calling up associations, and free interpretation. The resulting art works are both result from collaborations with patients and their attendants as well as reflective of the healing power of photography and other visual art forms.

Projections: video of Antoinette Nausikaä

At projections the video Tomorrow Flows Into Yesterday by Antoinette Nausikaä will be shown . The video is part of the  project Breathing Mountains. It shows a five-year quest for silence and balance between man and nature.

Antoinette Nausikaä, Tomorrow Flows Into Yesterday, 2019, videostill, HD video, duration 6 minutes, with sound and subtitles.

Five years ago, Antoinette Nausikaä decided she wanted to observe mountains: in the middle of her frantic urban life she developed a need for stillness and solitude, and she was convinced that mountains were the place to go. After all, throughout the centuries they have always been a refuge for man and an archetype for stability, calmness and tranquility. Concepts that seem so far removed from our modern everyday lives.

Soon however, she discovered that ‘pure’ silence and solitude were nowhere to be found. Looking for the timeless spirit of the mountains, she found fleeting traces of human existence everywhere and, almost casually, her project turned into an exploration of one of the most pressing philosophical themes of this moment: the Anthropocene.

 

The video projection Tomorrow Flows Into Yesterday shows combined images of Nausikaa’s observations of seemingly ordinary situations or scenes that reveal how humans and nature are casually intertwining. Thus, she explores and analyses the relations between man, nature and time and poses questions such as What is the balance between man and nature, the sacred and the profane, the eternal and the transient? How do human patterns and relations function within this? What is invariable, stable, and unchangeable? The question she consistently poses is, “Where do I belong in all of this?”. She worked on and around sacred mountains in Europe and Asia to capture and gather material and blends these together into a poetic yet anthropological narrative of images and spoken word.

 

This video is part of the  project Breathing Mountains, – a five-year quest for silence and balance between man and nature during which she lived and worked around mount Fuji (JP), mount Olympus (GR), mount Ararat (TR), and the five great mountains of China, The Wuyué.

Breathing Mountains resulted in the eponymous publication in 2018, (published by Art Paper Editions in Ghent) an exhibition at Galerie Caroline O’Breen and this video.

Art Rotterdam is taking place in the Van Nellefabriek in Rotterdam.